![]() WaveLab is brought to you by Steinberg, the German MIDI recording magicians who developed Cubase, Europe's most widely used sequencer. Common file formats (WAV, AIFF) make it easy to transfer audio between these applications - and, after all, for the cost of a mid‑range budget hardware processor you could buy all three! Choosing A Package ![]() With a good soundcard it is possible to do top‑quality work on any of these applications the final choice will be dependent on your individual production needs and budget requirements. These editors are invaluable for editing tracks prior to mixdown for adding the final edit tweaks to stereo mixes before mastering for CD, tape, multimedia, soundtrack and broadcast for the audio archiving and salvage of old recordings during vinyl and shellac transfer and for audio production for games and multimedia developers. The three applications under the spotlight in this article - Steinberg WaveLab 1.5, Sonic Foundry Sound Forge 4.0a and SEK‑D Samplitude Studio - are not only well‑specified stereo recorders and editors but can also be used to supplement the often limited audio‑editing facilities of MIDI + Audio sequencers, budget hard‑disk audio recorders or ADAT and open‑reel audio tape recorders. The high‑end Power Mac/Digidesign Pro Tools multitrack environment, with multiple TDM plug‑in support, still seems a long way off for the PC, but if your aims are more modest, PC applications have much to offer. ![]() Studio‑quality audio recording on the new faster Pentium PC processors equipped with professional‑quality audio cards is now at the level where it can compete with mid‑range Macintosh systems. Janet Harniman‑Cook investigates the possibilities. With the advance of new technology, PC audio editors have finally reached the point where they can give Macintosh systems a run for their money. ![]()
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